{"id":965,"date":"2025-09-08T16:00:11","date_gmt":"2025-09-08T16:00:11","guid":{"rendered":"http:\/\/localhost\/gaberwp\/?page_id=965"},"modified":"2025-11-04T17:47:36","modified_gmt":"2025-11-04T17:47:36","slug":"un-techo-sobre-mi-cabeza","status":"publish","type":"page","link":"https:\/\/williamgaber.com\/en\/un-techo-sobre-mi-cabeza\/","title":{"rendered":"A roof over my head"},"content":{"rendered":"
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A roof over my head<\/h3>

\n\nExploring William Gaber\u2019s body of work reveals a coded language that contains a profound reflection on the human habitable environment. His constant dialogue with the built \u2014 in a certain way, with geometry \u2014 marks the pulse of a large part of his artistic production.\n\nEach piece is a challenge between space and form, a reconfiguration on the canvas of the experience of transiting intimate spaces, synthesized in color, figure, and texture. In Gaber\u2019s work, architecture is presented as a container of life.\n\n\u201cA Roof Over My Head\u201d is a project that was born during William\u2019s residency in Onomichi, Japan, in 2024. His practice was influenced by the spatial and social dynamics of the region. This contrast reveals an urban paradox, and in his exploration, the artist questions the emptiness of uninhabited spaces. Stripped of human presence, they are transformed into vestiges, reducing architecture to pure form.\n\nWilliam Gaber invites us to walk through this exhibition with a reflective gaze, exploring how form constructs and redefines our relationship with context. The artist transforms three-dimensional spaces into two-dimensional ones, prompting us to think about how architecture, stripped of its function, becomes a representation that questions the meaning of our perception.\n\nAlberto Arceo, Curator\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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